Starting from an analysis of choreographic regimes established as systems of relation, this workshop proposes the reading, discussion, construction, and practice of different scores. Due to their specificity—situated not in the craftsmanship of the body, but in the way certain parameters and relational protocols are activated—these scores imply an openness between the choreographic object and the subject who interprets it, activates it, and updates it at every moment. Seeking the points of intersection between dance and choreography, and how both interact in making each other emerge, will be the guiding principle of the workshop, which will be conducted through a collective dynamic of knowledge sharing.