{"id":269,"date":"2020-07-21T13:21:49","date_gmt":"2020-07-21T13:21:49","guid":{"rendered":"https:\/\/parasita.eu\/?page_id=269"},"modified":"2026-10-10T19:44:30","modified_gmt":"2026-10-10T19:44:30","slug":"joao-dos-santos-martins","status":"publish","type":"page","link":"https:\/\/parasita.eu\/en\/joao-dos-santos-martins\/","title":{"rendered":"Jo\u00e3o dos Santos Martins"},"content":{"rendered":"<p class=\"my-2 [&amp;+p]:mt-4 [&amp;_strong:has(+br)]:inline-block [&amp;_strong:has(+br)]:align-top\">Jo\u00e3o dos Santos Martins (Santar\u00e9m, 1989) is an artist whose work spans various forms within and across dance, exploring formats such as choreography, exhibitions and publishing. He studied dance at the Escola Superior de Dan\u00e7a in Lisbon and at P.A.R.T.S. in Brussels, and completed a master\u2019s degree in Choreographic Studies between e.x.er.c.e\/Paul Val\u00e9ry II in Montpellier and the Institute for Applied Theatre Studies in Giessen.<\/p>\n<p class=\"my-2 [&amp;+p]:mt-4 [&amp;_strong:has(+br)]:inline-block [&amp;_strong:has(+br)]:align-top\">His practice brings together collaborative ways of working that focus on questions of transmission, language and labour. He has created works including <em>Projecto Continuado<\/em> (2015), <em>Companhia<\/em> (2018) and <em>Cooperativa<\/em> (2025), with Ana Rita Teodoro, Clarissa Sacchelli, Daniel Pizamiglio, Filipe Pereira and Sabine Macher; <em>Onde Est\u00e1 o Casaco?<\/em> (2018), with Cyriaque Villemaux and Ana Jotta; <em>Antropocenas<\/em> (2017), with Rit\u00f3 Nat\u00e1lio; and <em>Est\u00e1 Visto<\/em> (2023), with Ana Jotta, Joana S\u00e1 and Filipe Pereira.<\/p>\n<p class=\"my-2 [&amp;+p]:mt-4 [&amp;_strong:has(+br)]:inline-block [&amp;_strong:has(+br)]:align-top\">As a dancer and performer, he has worked extensively with choreographers Moriah Evans, Xavier Le Roy and Ana Rita Teodoro. He has also appeared works by Eszter Salamon, J\u00e9r\u00f4me Bel, Boris Charmatz, Marcelo Evelin, Dora Garc\u00eda, Manuel Pelmu\u0219 and Rui Horta, among others.<\/p>\n<p class=\"my-2 [&amp;+p]:mt-4 [&amp;_strong:has(+br)]:inline-block [&amp;_strong:has(+br)]:align-top\">His interest in the genealogies of dance history led him to create, together with Ana Bigotte Vieira, <em>Para Uma Timeline a Haver<\/em>, a framework for collectively mapping dance in Portugal, and to found <em>Coreia<\/em>, a twice-yearly journal devoted to writings by artists and about the arts. He occasionally writes and curates. Highlights of his curatorial work include <em>Nova\u2014Velha Dan\u00e7a<\/em> (Santar\u00e9m, 2017), <em>p de dan\u00e7a<\/em> (FCG, Lisbon, 2021), the PACAP 4 study programme (2020), and the artistic exchange platforms Sal\u00e3o Coreogr\u00e1fico (Maputo) and Next Step (Macau\u2013Lisbon).<\/p>\n<p class=\"my-2 [&amp;+p]:mt-4 [&amp;_strong:has(+br)]:inline-block [&amp;_strong:has(+br)]:align-top\">He received the ESD-IPL merit scholarship for 2008\/09 and was awarded scholarships and fellowships by danceWeb (2010), CNC (2010), ENPARTS (2010\/11), the Calouste Gulbenkian Foundation (2011\u201313) and the Goethe-Institut Salvador-Bahia (2022). He has been an associate artist at O Espa\u00e7o do Tempo, Circular Associa\u00e7\u00e3o Cultural, Est\u00fadios Victor Cord\u00f3n and Materiais Diversos. His work <em>Projecto Continuado<\/em> (2015) received the SPA Authors\u2019 Award in 2016. His work has been presented extensively in Portugal, as well as in Spain, Switzerland, Sweden, France, Belgium, Austria, Romania, Japan, Brazil, Mozambique, Uruguay, Morocco, Chile, China, South Korea, New Zealand, Norway and the United States.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jo\u00e3o dos Santos Martins (Santar\u00e9m, 1989) is an artist whose work spans various forms within and across dance, exploring formats such as choreography, exhibitions and publishing. He studied dance at the Escola Superior de Dan\u00e7a in Lisbon and at P.A.R.T.S. in Brussels, and completed a master\u2019s degree in Choreographic Studies between e.x.er.c.e\/Paul Val\u00e9ry II in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":354,"parent":0,"menu_order":28,"comment_status":"closed","ping_status":"closed","template":"page-artista.php","meta":{"footnotes":""},"acf":[],"_links":{"self":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/pages\/269"}],"collection":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/comments?post=269"}],"version-history":[{"count":11,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/pages\/269\/revisions"}],"predecessor-version":[{"id":4873,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/pages\/269\/revisions\/4873"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/media\/354"}],"wp:attachment":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/media?parent=269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}