{"id":225,"date":"2020-07-20T11:21:13","date_gmt":"2020-07-20T11:21:13","guid":{"rendered":"https:\/\/parasita.eu\/?page_id=225"},"modified":"2026-01-19T11:28:42","modified_gmt":"2026-01-19T11:28:42","slug":"ana-rita-teodoro","status":"publish","type":"page","link":"https:\/\/parasita.eu\/en\/ana-rita-teodoro\/","title":{"rendered":"Ana Rita Teodoro"},"content":{"rendered":"

EN.<\/strong><\/p>\n

Portugal, 1982<\/p>\n

Ana Rita holds a Master in \u201cDance, Creation and Performance\u201d by CNDC Angers and University Paris 8 (2011\/2013), where she developed as a research the creation of a \u201cDelirious Anatomy\u201d. The research resulted in the Collection Delirius Anatomy, composed of small dance pieces dedicated to one part of the body: Orifice Paradis (2012), Gut\u2019s Dream (2013), Plateau and Pavilion (2017).<\/p>\n

In 2002, she was a student in the \u201cResearch and Choreographic Creation Course\u201d at F\u00f3rum Dan\u00e7a and in 2005 in the \u201cChoreography Course\u201d organized by the Calouste Gulbenkian Foundation, both in Lisbon. She actively participates in the research activities at c.e.m. where she begins the study of the body via experiential anatomy, philosophy and multidisciplinary intersection, with Sofia Neuparth, among others. In 2007\/2010 she took the \u201cChi Kung Instructors Course\u201d, from the School of Traditional Chinese Medicine in Lisbon.<\/p>\n

Tatsumi Hijikata’s Butoh has been one of her areas of greatest artistic investment. Since 2007 she has participated in different workshops led by artists and researchers such as: Tadashi Endo, Sankai Juko, Torifune, Akira Kasai, Min Tanaka, Yoshito Ohno, Patrick De Vos and Christine Greiner. In 2015, she received the \u201cArtistic Improvement Scholarship\u201d from Calouste Gulbenkian Foundation to study with Yoshito Ohno in Japan. In 2016, she developed a research around the practice of Butoh with the support Aide \u00e0 la recherche et au patrimoine en danse from the Center National de la Danse, CN D (Pantin). This research culminates in the performance-conference entitled Your Teacher, please (2018).<\/p>\n

Ana Rita Teodoro created the following solo choreographies – MelTe (2009), Curva (2010), Assombro (2015) and her first group piece FoFo\u00a0 (2019) with the support of \u201cNew Settings\u201d from the Hermes Foundation.<\/p>\n

In the context of the CN D pedagogical service, Ana Rita conceived two spectacular conferences for the young audience: Conference 1 – The Body (2019) and Conference 2 – Short History of the body imagery (2020).<\/p>\n

Her works have already been presented in Austria (MUMOK and 8: tension Festival Impulstanz in Vienna), in Germany (Volksb\u00fcne in Berlin), in France (Th\u00e9\u00e2tre de la Cit\u00e9 International, Palais de Tokyo in Paris, at CN D in Pantin, in Th\u00e9\u00e2tre de Vanves in Vanves, Festival D\u00e3nsFabrik \u2014 Le Quartz in Brest, La Manufacture in Bordeaux, Festival Constellations in Toulon) in Portugal (Culturgest in Lisbon, Materiais Diversos in Minde, Teatro S\u00e1 da Bandeira in Santar\u00e9m, Festival DDD in Porto) and at Taipei city in Taiwan.<\/p>\n

She currently works with the\u00a0 musician Julien Desprez and is interpreter on his piece Coco (2019), she works on several specific projects with artists such as Jo\u00e3o dos Santos Martins (Trolar\u00f3, Casa da Dan\u00e7a de Almada – 2020) and visual artist Adela\u00efde Feriot (Palais de Tokyo – 2019). She was also a dancer for Jo\u00e3o dos Santos Martins in Projecto Continuado (2015), in Companhia (2018) and in Antropocenas (2017) by the same choreographer and Rita Nat\u00e1lio.<\/p>\n

She was an associate artist at the Center National de la Danse, CN D (Pantin) between 2017 and 2019 and has been an artist of the Parasite Association since her creation date in 2015.<\/p>\n

FR.<\/strong><\/p>\n

Portugal, 1982<\/p>\n

Ana Rita Teodoro, est titulaire du Master du CNDC d\u2019Angers et de l\u2019universit\u00e9 Paris 8(2011\/2013), o\u00f9 elle a d\u00e9but\u00e9 son projet\u00a0D\u00e9lirer l\u2019Anatomie.\u00a0 En 2002, elle a suivi le cours de recherche et de cr\u00e9ation chor\u00e9graphique du Forum Dan\u00e7a (Lisboa) et, en 2015, le cours de chor\u00e9graphie organis\u00e9 par la Fondation Calouste Gulbenkian. Depuis 2000, Ana Rita participe activement aux activit\u00e9s de c.e.m. o\u00f9 elle a d\u00e9clench\u00e9 l’\u00e9tude du corps via l’anatomie exp\u00e9rientielle, la philosophie et le croisement multidisciplinaire avec Sofia Neuparth, entre autres. En 2007\/2010, elle a suivi le cours d’instructeur de Chi Kung \u00e0 l’\u00e9cole de m\u00e9decine traditionnelle chinoise de Lisbonne.<\/p>\n

Le butoh de Tatsumi Hijikata a \u00e9t\u00e9 l’un de ses domaines d’investissement artistique le plus important. Depuis 2006, elle a particip\u00e9 \u00e0 diff\u00e9rents ateliers dirig\u00e9s par des artistes et des chercheurs tels que: Tadashi Endo, Sankai Juko, Torifune, Akira Kasai, Min Tanaka, Yoshito Ohno, Patrick De Vos et Christine Greiner. Elle a d\u2019ailleurs re\u00e7u une bourse de la Fondation Calouste Gulbenkian (2015) pour \u00e9tudier avec Yoshito Ohno et\u00a0re\u00e7u l\u2019Aide \u00e0 la recherche et au patrimoine en danse\u00a0du CN D (2016), pour d\u00e9velopper sa recherche sur la transmission de la danse Butoh par Yoshito Ohno.\u00a0De cette recherche a \u00e9t\u00e9 cr\u00e9\u00e9e en 2018 la conf\u00e9rence performative Your Teacher, please.<\/p>\n

Depuis 2009, Ana Rita Teodoro a cr\u00e9\u00e9 les chor\u00e9graphies suivantes: MelTe (2009), Curva (2010), Orifice Paradis (2012), R\u00eave d’Intestin (2013), Fant\u00f4me M\u00e9chant (2015) Plateau, Pavilion (2017) et FoFo (2019).<\/p>\n

Dans le cadre du service p\u00e9dagogique CN D, Ana Rita a con\u00e7u deux conf\u00e9rences spectaculaires pour le jeune public: Conf\u00e9rence 1 – Le corps (2019) et Conf\u00e9rence 2 – Br\u00e8ve histoire de l’imagerie corporelle (2020).<\/p>\n

Ses \u0153uvres ont d\u00e9j\u00e0 \u00e9t\u00e9 pr\u00e9sent\u00e9es en Autriche (MUMOK et 8: tension Festival Impulstanz \u00e0 Vienne), en Allemagne (Volksb\u00fcne \u00e0 Berlin), en France (Th\u00e9\u00e2tre de la Cit\u00e9 International, Palais de Tokyo \u00e0 Paris, au CN D \u00e0 Pantin, en Th\u00e9\u00e2tre de Vanves \u00e0 Vanves, Festival D\u00e3nsFabrik – Le Quartz \u00e0 Brest, La Manufacture \u00e0 Bordeaux, Festival Constellations \u00e0 Toulon) au Portugal (Culturgest \u00e0 Lisbonne, MAteriais Diversos \u00e0 Minde, Teatro S\u00e1 da Bandeira \u00e0 Santar\u00e9m, Festival DDD \u00e0 Porto) et \u00e0 Taipei city \u00e0 Taiwan.<\/p>\n

Elle travaille actuellement avec le musicien Julien Desprez, elle est interpr\u00e8te de sa pi\u00e8ce Coco (2019). Ana Rita travaille sur plusieurs projets sp\u00e9cifiques avec des artistes tels que Jo\u00e3o dos Santos Martins (Trolar\u00f3, Casa da Dan\u00e7a de Almada – 2020) et l\u2019artiste visuel Adela\u00efde Feriot (Palais de Tokyo – 2019). Elle a \u00e9galement \u00e9t\u00e9 interpr\u00e8te pour Jo\u00e3o dos Santos Martins dans Projecto Continuado (2015), \u00e0 Companhia (2018) et \u00e0 Antropocenas (2017) du m\u00eame chor\u00e9graphe et Rita Nat\u00e1lio. Elle a \u00e9t\u00e9 artiste associ\u00e9e au Centre National de la Danse, CN D (Pantin) entre 2017 et 2019 et est artiste de l’Association Parasite depuis sa cr\u00e9ation en 2015.<\/p>\n","protected":false},"excerpt":{"rendered":"

EN. Portugal, 1982 Ana Rita holds a Master in \u201cDance, Creation and Performance\u201d by CNDC Angers and University Paris 8 (2011\/2013), where she developed as a research the creation of a \u201cDelirious Anatomy\u201d. The research resulted in the Collection Delirius Anatomy, composed of small dance pieces dedicated to one part of the body: Orifice Paradis […]<\/p>\n","protected":false},"author":1,"featured_media":4370,"parent":0,"menu_order":30,"comment_status":"closed","ping_status":"closed","template":"page-artista.php","meta":{"footnotes":""},"acf":[],"_links":{"self":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/pages\/225"}],"collection":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/comments?post=225"}],"version-history":[{"count":7,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/pages\/225\/revisions"}],"predecessor-version":[{"id":1511,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/pages\/225\/revisions\/1511"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/media\/4370"}],"wp:attachment":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/media?parent=225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}