By projecting the phrase “Aqui \u00e9 terra ind\u00edgena” [“This is indigenous land”] onto the facades of towering skyscrapers in the city of S\u00e3o Paulo or in an art gallery in Lisbon, Denilson Baniwa manifests the power of contemporary indigenous art and its counter-spell gestures, signalling and confronting messages from the colonial past with the current debates and public space.<\/p>\n
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In his first solo exhibition in Lisbon, at Quadrum Gallery, the Baniwa artist, born in the Upper Rio Negro (Amazonas, Brazil), presents an unprecedented retrospective of his work, as well as a set of new pieces produced in the Portuguese capital. Widely recognised internationally, his work multiplies languages and crosses painting, performance, drawing and digital intervention to challenge and question hegemonic narratives about territory and identity, asserting his right to respond.<\/p>\n
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The invitation to present this exhibition was issued by Terra Batida, a platform that, over the last two years, has been dedicated to researching collections from indigenous communities in Brazil held in museums and historical and ethnographic archives in Lisbon and Coimbra. To this end, it awarded creative grants and fostered collaborations with leading voices in contemporary indigenous art and thought, such as Brisa Flow, Ellen Pir\u00e1 Wassu, Ju\u00e3o Nyn, Lilly Baniwa, Olinda Yawar Tupinamb\u00e1 and Ziel Karapot\u00f3, who visited these collections in person.<\/p>\n
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Denilson Baniwa’s “Contra-feiti\u00e7o” [Counter-spell] inaugurates a gesture of public sharing of a long journey of dialogue and critical reflection on the institutional policies of disappearance, conservation, and memory that traverse and connect Brazil and Portugal.<\/p>\n
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OPENING<\/span><\/p>\n On 22 October, the exhibition opening will feature a show-performance-ritual by Brisa Flow. The event will also host the presentation of the programme for the Alkantara Festival 2025, co-producer and regular partner of Terra Batida.<\/p>\n","protected":false},"featured_media":0,"template":"","cat_rita_natalio":[69],"cat_projectos":[],"acf":[],"_links":{"self":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cpt_rita_natalio\/4796"}],"collection":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cpt_rita_natalio"}],"about":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/types\/cpt_rita_natalio"}],"wp:attachment":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/media?parent=4796"}],"wp:term":[{"taxonomy":"cat_rita_natalio","embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cat_rita_natalio?post=4796"},{"taxonomy":"cat_projectos","embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cat_projectos?post=4796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}