{"id":3368,"date":"2024-02-21T17:21:14","date_gmt":"2024-02-21T17:21:14","guid":{"rendered":"https:\/\/parasita.eu\/?post_type=cpt_rita_natalio&p=3368"},"modified":"2026-04-21T09:36:29","modified_gmt":"2026-04-21T09:36:29","slug":"classes-conferences-and-talks","status":"publish","type":"cpt_rita_natalio","link":"https:\/\/parasita.eu\/en\/rita-natalio\/classes-conferences-and-talks\/","title":{"rendered":"CLASSES, CONFERENCES AND TALKS"},"content":{"rendered":"
\n

2025<\/b><\/p>\n

October<\/strong><\/p>\n

*\u00a0 <\/i>Artist talk with Jessica Segall and Michael Marder, Goethe Institut, Lisbon<\/span><\/p>\n

June<\/strong><\/p>\n

* <\/i>Participation in the panel \u201cWhat the Forest Remembers That Museums Have Forgotten?\u201d, <\/i>Workshop \u201cReforesting Heritage: Museums and the Resurgence of Indigenous Peoples\u201d <\/i>(WP 5 of the project EDGES: Entangling Indigenous Knowledges in Universities), Museu Nacional de Hist\u00f3ria Natural e da Ci\u00eancia da Universidade de Lisboa (MUHNAC-ULisboa)<\/span><\/p>\n

2024<\/b><\/p>\n

November<\/strong><\/p>\n

* Liquid Becomings,<\/span><\/i> with Elizabeth Povinelli and Bayo Akomolaf\u00e9, The European Pavillion, Lisbon<\/span><\/p>\n

* Spillover<\/span><\/i>, Simp\u00f3sio Internacional American Studies OverSeas – Active Ties, Tides and Times – Lisbon University<\/span><\/p>\n

February<\/strong><\/p>\n

* Fossil <\/span><\/i>– lecture performance, Monocultures Congress – University of Coimbra<\/span><\/p>\n

* Extraction, abstraction, hallucination<\/em> – Casa da Cerca, 11 February.<\/p>\n

The experience of organising more than three editions of the Terra Batida project since 2020 is the motto for a conversation that connects and contracts the relationships between extraction, abstraction and hallucination.<\/p>\n

January<\/b><\/p>\n

* Master’s Degree in Cultural Management and Sustainability – University of Coimbra, 9 January.<\/p>\n

2023<\/b><\/p>\n

March<\/b><\/p>\n

* PACAP 6 \u2013 Programa Avan\u00e7ado de Cria\u00e7\u00e3o em Artes Performativas [Advanced Programme in Creation for Performative Artes], curated by Sofia Dias and V\u00edtor Roriz, March 15.<\/p>\n

May<\/b><\/p>\n

* Composing Worlds<\/em>, with Rita Nat\u00e1lio and Elisa L\u00e9vy, Culturgest, 19th May.<\/p>\n

In anticipation of Philippe Descola’s lecture, the film Composer les mondes<\/em>, written, shot and directed by Eliza Levy about the thinking of this important anthropologist, is presented. From where can we rethink our world in order to transform it? Philippe Descola dedicated his life as an anthropologist to studying how humans make up their worlds. In a journey that began in the Amazon, he turned his field of research to Europe to understand how we modern people have managed to make the Earth less and less habitable. In this film, Descola embodies his ideas, in dialogue with the non-humans around us, at the centre of a social experiment that is unique in the world: the community of Notre-Dame-des-Landes in France. There, on and with the earth saved from cement, in the place where the construction of a pharaonic airport was planned, a new composition of the world is unfolding. At the end of the screening, Rita Nat\u00e1lio, artist and curator of the Terra Batida project, will talk to us about the issues raised by the film.<\/p>\n

HTTPS:\/\/WWW.CULTURGEST.PT\/PT\/PROGRAMACAO\/ELISA-LEVY-COMPOR-MUNDOS\/<\/a><\/p>\n

December<\/b><\/p>\n

* Borders that don’t exist<\/em>, Porto Design Biennale, 10 December.<\/p>\n

In an intertidal zone, the boundaries are constantly changing. The liquid tide covers and uncovers the land, but in between the coming and going it becomes entrenched, embedded in the damp sand, stones and beings of the ecosystems of these areas. On the bank of a river, water circulates in a spiral, creating deposits and eroding the land’s edge – it’s an infinite process of transformation. The water seeps into the earth, first liquid, then in the form of humidity. We don’t know when it becomes muddy, then clay and finally earth. Here we bring together people who urge us to design and think from an idea of the intertwining of all things, proposing alternative models of relationship and order that promote porous materialities, inclusive projects, interspecies dialogues and more equitable democracies.<\/p>\n

HTTPS:\/\/WWW.PORTODESIGNBIENNALE.PT\/EN\/AGENDA\/AQUILEGIO1<\/a><\/p>\n<\/div>\n

2022<\/b><\/p>\n

October to November<\/b><\/p>\n

* Laboratory in the Master’s programme in Performance and Gender Studies at the IUAV – University of Venice<\/p>\n

June to October<\/b><\/p>\n

* Coordination of Laborat\u00f3rio Imagina 20\u201325 [Imagine Laboratory], Calouste Gulbenkian Foundation<\/p>\n

The “Gulbenkian Imagines” project is an initiative of the Modern Art Centre for young audiences based on imagination laboratories guided by guest artists around the idea of the future. In this edition, a group of 16 young people, from different backgrounds, have been working on artistic proposals by Alina Ruiz Folini and Rita Nat\u00e1lio, two performing arts artists with research working on the themes of ecology, somatic research and gender.
\nThe laboratory sessions have also included the occasional participation of artists such as Odete, Kahumbi, Ves Liberta, Josefa Pereira and Alice dos Reis, opening up the practices to approaches where choreography, science fiction and fashion converge.<\/p>\n

Laborat\u00f3rio de Imagina\u00e7\u00e3o 2022: Corpos, Desejos e Ecologias<\/a><\/p><\/blockquote>\n