{"id":980,"date":"2020-08-13T19:39:44","date_gmt":"2020-08-13T19:39:44","guid":{"rendered":"https:\/\/parasita.eu\/joao-dos-santos-martins\/trolaro\/"},"modified":"2026-03-25T14:38:21","modified_gmt":"2026-03-25T14:38:21","slug":"trolaro","status":"publish","type":"cpt_joao_martins","link":"https:\/\/parasita.eu\/en\/joao-dos-santos-martins\/trolaro\/","title":{"rendered":"Trolar\u00f3, 2020"},"content":{"rendered":"<p><em><span class=\"il\">Trolar\u00f3<\/span><\/em> is a collaboration between choreographers and dancers Ana Rita Teodoro and Jo\u00e3o dos Santos Martins. The performance dwells in schemes of soft machines, where automated, programmed and mechanical behavior become smooth, vegetal and alive. Movements\u00a0are synchronised to\u00a0sounds produced live as if a robot became a plant or an animal. In Portuguese,\u00a0<span class=\"il\">trolar\u00f3<\/span>\u00a0is a word to express foolishness or to troll without discipline, responsibility or care for the consequences. In this piece, control and uncontrol, rigidity and smoothness are put to the test as a repercussion of the performers entering consumptive altered states.<\/p>\n<p>Carte blanche from Casa da Dan\u00e7a in Almada.<\/p>\n","protected":false},"featured_media":0,"template":"","cat_joao_martins":[30],"cat_projectos":[],"acf":[],"_links":{"self":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cpt_joao_martins\/980"}],"collection":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cpt_joao_martins"}],"about":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/types\/cpt_joao_martins"}],"wp:attachment":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/media?parent=980"}],"wp:term":[{"taxonomy":"cat_joao_martins","embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cat_joao_martins?post=980"},{"taxonomy":"cat_projectos","embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cat_projectos?post=980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}