{"id":766,"date":"2020-08-13T14:38:56","date_gmt":"2020-08-13T14:38:56","guid":{"rendered":"https:\/\/parasita.eu\/?post_type=cpt_joao_martins&#038;p=766"},"modified":"2020-10-26T23:59:38","modified_gmt":"2020-10-26T23:59:38","slug":"le-sacre-du-printemps","status":"publish","type":"cpt_joao_martins","link":"https:\/\/parasita.eu\/en\/joao-dos-santos-martins\/le-sacre-du-printemps\/","title":{"rendered":"Le Sacre du Printemps, 2013"},"content":{"rendered":"<p>Le Sacre du Printemps (2013) explores the seduction and irresistibility of dancing &#8211; to death &#8211; in play and display with the public. It takes Le Sacre du Printemps (1913) of Vaslav Nijinsky, the mythical absent choreography, and its subsequent numerous versions of the last 100 years as the frame of reference. Dialoguing with the history of dance and reexamining the contemporary ceremony in the community of theatre, Le Sacre du Printemps (2013) is a work that puts to test the meaning and the role of dance, sacrifice, pleasure, and death. Dance we do, and dance we must. Between life and death this is an event without general rehearsal.<\/p>\n<p>(kr)<br \/>\n\ubd04\uc758 \uc81c\uc804 (2013) \uc740 \ucda4, \uc8fd\uc744 \ub54c\uae4c\uc9c0 \ucd94\ub294 \ucda4\uc758 \ub9e4\ub825\uacfc \uc720\ud639\uc5d0 \ub300\ud574 \uad00\uac1d\uacfc\uc758 \ub180\uc774\uc640 \uad00\uacc4\ub97c \ud1b5\ud574 \ud0d0\uad6c\ud558\ub294 \uc791\uc5c5\uc774\ub2e4. \ubc14\uc2ac\ub77c\ud504 \ub2c8\uc9c4\uc2a4\ud0a4\uc758 \uc2e0\ud654\uc801\uc778 \ubd80\uc7ac\uc758 \uc548\ubb34\uc791, \ubd04\uc758 \uc81c\uc804 (1913) \uacfc \uc9c0\ub09c \ubc31\uc5ec\ub144\uac04 \ucc3d\uc870\ub418\uc5b4\uc628 \uc218\ub9ce\uc740 \uc7ac\uc548\ubb34\uc791\ub4e4\uc774 \uc774 \uc791\uc5c5\uc758 \uae30\uc810\uc774\uba70 \ubc14\ud0d5\uc774\ub2e4. \ubd04\uc758 \uc81c\uc804 (2013) \uc740 \ud604\ub300\ubb34\uc6a9\uc758 \uc5ed\uc0ac\uc640\uc758 \ub300\ud654, \uadf9\uc7a5\uc774\ub77c\ub294 \ud604 \uc2dc\ub300\uc758 \uacf5\ub3d9\uccb4 \uc758\uc2dd\uc758 \uc7a5\uc758 \uc0c8\ub85c\uc6b4 \uc870\uba85\uc744 \ud1b5\ud574, \ucda4, \ud76c\uc0dd, \ucf8c\ub77d\uacfc \uc8fd\uc74c\uc758 \uc758\ubbf8\uc640 \uc5ed\ud560\uc744 \uc2dc\ud5d8\ud558\uace0\uc790 \ud55c\ub2e4. \ucd94\ub294 \ucda4, \ucd94\uc5b4\uc57c\ub9cc \ud558\ub294 \ucda4. \uc774\uac83\uc740 \uc0b6\uacfc \uc8fd\uc74c \uc0ac\uc774\uc758 \ucd5c\uc885 \ub9ac\ud5c8\uc124\uc774 \uc5c6\ub294 \uc0ac\uac74\uc774\ub2e4.<\/p>\n","protected":false},"featured_media":0,"template":"","cat_joao_martins":[30],"cat_projectos":[],"acf":[],"_links":{"self":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cpt_joao_martins\/766"}],"collection":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cpt_joao_martins"}],"about":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/types\/cpt_joao_martins"}],"wp:attachment":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/media?parent=766"}],"wp:term":[{"taxonomy":"cat_joao_martins","embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cat_joao_martins?post=766"},{"taxonomy":"cat_projectos","embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cat_projectos?post=766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}