{"id":3233,"date":"2023-09-17T12:29:01","date_gmt":"2023-09-17T12:29:01","guid":{"rendered":"https:\/\/parasita.eu\/?post_type=cpt_joao_martins&p=3233"},"modified":"2023-09-17T12:29:10","modified_gmt":"2023-09-17T12:29:10","slug":"p-de-danca","status":"publish","type":"cpt_joao_martins","link":"https:\/\/parasita.eu\/en\/joao-dos-santos-martins\/p-de-danca\/","title":{"rendered":"p de dan\u00e7a"},"content":{"rendered":"

p de dan\u00e7a<\/a><\/p>\n

The Gulbenkian and dance in Portugal<\/p>\n

24 Jun \u2013 04 Jul 2021<\/p>\n

Throughout two long weekends, dance returns to the auditoriums of the Foundation with the performance of two dozen works created over recent years with support from the Gulbenkian and with some making their very first appearance in Portugal.<\/p>\n

Since the disbanding of the Gulbenkian Ballet in 2005, the Calouste Gulbenkian Foundation has focused its involvement in dance on awarding grants \u2014 for study, creation and internationalization \u2014 that fund independent contemporary dance projects from artists mainly at the start of their careers. In response to the invitation to create a programme that brings together a series of works funded by the Foundation, this show presents two dozen performances selected from more than a hundred which were awarded grants under the Gulbenkian Culture Programme between 2011 and 2017. The intensity of each of these shows and the ephemeral nature of dance itself explains why most have not been staged in several years. Some have never been performed in Lisbon or even in Portugal. As such, their re-performance contributes not only to a rethinking of the idea of the repertoire, but also to a renewed look at the shows from the perspective of the present.<\/p>\n

At stake in these works is a multiplicity of inquiries into the questioning of the kinetic state of the body, the theatricality of inanimate and inorganic beings, the use of words as a choreography of meaning and sensation, or the performativity of gender as something complex and non-linear. These concerns attest to the versatile character of dance today in terms of an expanded practice, often detached from the body. Dance is in itself a mode of action that has no category, in which all disciplines intersect and all formats coexist, calling the systems of presentation and representation into question: whether a performance, an exhibition, a guided tour, a conference, an interview, a concert, or a recital. Creating dance nowadays does not simply mean moving through space and time, but composing situations, taking on visions and perspectives from the possibilities of each world. Together, the artists that form this show construct a partial portrait of a generation marked by a context of production dominated by small-scale projects, with small crews comprising temporary workers, a result of an increasingly liberal labour market. These artists reflect the diversity of Portugal\u2019s emerging dance scene over this past decade.<\/p>\n

The show was initially planned for 2018 and was designed to occupy most of the Foundation\u2019s spaces, but it is now confined to more formal presentation spaces as a result of the pandemic. Its two main purposes, however, remain the same. These are, on the one hand, revitalising the contemporary dance circuit during the current pandemic by revisiting the questioning of the body and its forms of visibility in the public space as fundamental elements in a society that is deprived of a social body; on the other hand, reinforcing the Foundation\u2019s relationship with contemporary dance in the future. <\/p>\n

Jo\u00e3o dos Santos Martins
\nCurator<\/p>\n

 <\/p>\n

24\u201427 junho<\/b><\/p>\n

24 junho \u2014 quinta-feira<\/b><\/p>\n

20h \u2014 Lu\u00eds Guerra, Trovoada<\/i> (2014), 45\u2019\u2019 \u2014 Grande Audit\u00f3rio<\/p>\n

20h45 \u2014 Aurora Pinho, Velvet N<\/i>\u2019Goldmine <\/i>(2016), 40\u2019\u2019 \u2014 Grande Audit\u00f3rio<\/p>\n

 <\/p>\n

25 junho \u2014 sexta-feira<\/b><\/p>\n

19h \u2014 Joana von Mayer Trindade, Nameless Natures <\/i>(2015), 30\u201d \u2014 Sala 1<\/p>\n

20h \u2014 Joana Castro, Perto\u2026Tanto Quanto Poss\u00edvel <\/i>(2014), 40\u201d \u2014 Foyer VIP<\/p>\n

21h \u2014 Matthieu Ehrlacher, Cocoon <\/i>(2017), 50\u201d \u2014 Audit\u00f3rio 2<\/p>\n

 <\/p>\n

26 junho \u2014 s\u00e1bado\u00a0<\/b><\/p>\n

11\u201417h \u2014 Lu\u00eds Miguel F\u00e9lix & Ben Evans, O Museu Invis\u00edvel<\/i> (2013) \u2014 Museu Gulbenkian<\/p>\n

15h \u2014 Andresa Soares, Vera Mantero e Jo\u00e3o Ferro Martins \u2014conversa\/demonstra\u00e7\u00e3o \u2014 I\u2019d rather not, <\/i>60\u201d \u2014 Audit\u00f3rio 3<\/p>\n

16h30 \u2014 Rita Nat\u00e1lio & Joana Levi, \u201cMuseu Encantador<\/i> (2014, 2021)<\/i>\u201d, 60\u201d \u2014 Sala 2<\/p>\n

18h \u2014 Joana von Mayer Trindade, Nameless Natures<\/i> (2015), 30\u2019\u2019\u00a0 \u2014 Sala 1<\/p>\n

19h \u2014 Flora D\u00e9traz, Ges\u00e4cht + Tutuguri <\/i>(2016), 45\u201d \u2014 Audit\u00f3rio 3<\/p>\n

20h \u2014 Joana Castro, Perto\u2026Tanto Quanto Poss\u00edvel<\/i> (2014), 40\u2019\u2019 \u2014 Foyer VIP<\/p>\n

 <\/p>\n

27 junho \u2014 domingo<\/b><\/p>\n

11\u201417h \u2014 Lu\u00eds Miguel F\u00e9lix & Ben Evans, O Museu Invis\u00edvel<\/i> (2013) \u2014 Museu Gulbenkian<\/p>\n

15h \u2014 David Marques, Kin<\/i> (2014), 40\u201d \u2014 Grande Audit\u00f3rio<\/p>\n

16h \u2014 Rita Nat\u00e1lio & Joana Levi, \u201cMuseu Encantador<\/i> (2014, 2021)<\/i>\u201d, 60\u2019\u2019 \u2014 Sala 2<\/p>\n

17h30 \u2014 Flora D\u00e9traz, Ges\u00e4cht + Tutuguri <\/i>(2016), 45\u201d \u2014 Audit\u00f3rio 3<\/p>\n

18h30 \u2014 Mariana Tengner Barros & Mark Tompkins, A Power Ballad <\/i>(2013), 70\u201d \u2014 Audit\u00f3rio 2<\/p>\n

20h \u2014 Catarina Miranda, Reiposto Reimorto <\/i>(2015, 2021), 45\u201d \u2014\u00a0 Grande Audit\u00f3rio<\/p>\n

 <\/p>\n

1\u20144 julho<\/b><\/p>\n

1 julho \u2014 quinta-feira<\/b><\/p>\n

20h \u2014 Maria Ramos, Something Still Uncaptured<\/i> (2013), 40\u201d \u2014 Grande Audit\u00f3rio<\/p>\n

21h30 \u2014 Sofia Dias & V\u00edtor Roriz, Um gesto que n\u00e3o passa de uma amea\u00e7a <\/i>(2011), 40\u201d \u2014 Grande Audit\u00f3rio<\/p>\n

 <\/p>\n

2 julho \u2014 sexta-feira<\/b><\/p>\n

19h \u2014 Miguel Bonneville, MB#8 <\/i>(2011), 40\u201d \u2014 Audit\u00f3rio 3<\/p>\n

20h \u2014 S\u00f3nia Baptista, In the fall the Fox, e na queda raposar<\/i> (2014), 60\u201d \u2014 Audit\u00f3rio 2<\/p>\n

 <\/p>\n

3 julho \u2014 s\u00e1bado\u00a0<\/b><\/p>\n

11\u201417h \u2014 Lu\u00eds Miguel F\u00e9lix & Ben Evans, O Museu Invis\u00edvel<\/i> (2013)\u2014 Museu Gulbenkian<\/p>\n

15h30 \u2014 Vitalina Sousa, Do we dream every night? <\/i>(2015), 15\u201d \u2014 Sala 1<\/p>\n

16h \u2014 Gustavo Cir\u00edaco & Ant\u00f3nio Pedro Lopes, Em Deriva<\/i> (2010), 60\u201d \u2014 Sala 2<\/p>\n

17h30 \u2014 Vitalina Sousa, Do we dream every night? <\/i>(2015), 15\u201d \u2014 Sala 1<\/p>\n

18h \u2014 Miguel Bonneville, MB#8<\/i> (2011), 40\u201d \u2014 Audit\u00f3rio 3<\/p>\n

19h \u2014 Dinis Machado, Cyborg Sunday <\/i>(2014), 50\u2019\u2019 \u2014 Foyer VIP<\/p>\n

 <\/p>\n

4 julho \u2014 domingo<\/b><\/p>\n

11\u201417h \u2014 Lu\u00eds Miguel F\u00e9lix & Ben Evans, O Museu Invis\u00edvel<\/i> (2013) \u2014 Museu Gulbenkian<\/p>\n

15h30 \u2014 Vitalina Sousa, Do we dream every night? <\/i>(2015), 15\u201d \u2014 Sala 1<\/p>\n

16h \u2014 Gustavo Cir\u00edaco & Ant\u00f3nio Pedro Lopes, Em Deriva<\/i> (2010), 60\u201d \u2014 Sala 2<\/p>\n

17h30 \u2014 Vitalina Sousa, Do we dream every night? <\/i>(2015), 15\u201d \u2014 Sala 1<\/p>\n

18h \u2014 S\u00f3nia Baptista, Assentar sobre a subida das \u00e1guas<\/i> (2016), 75\u201d \u2014 Audit\u00f3rio 2<\/p>\n

19h30 \u2014 Dinis Machado, Cyborg Sunday <\/i>(2014), 50\u201d \u2014 Foyer VIP<\/p>\n

21h \u2014 Filipe Pereira & Teresa Silva, O que fica do que passa <\/i>(2013), 35\u201d \u2014 Grande Audit\u00f3rio<\/p>\n

29 de junho \u2014 4 de julho:<\/b> Exposi\u00e7\u00e3o de fotografias Do we dream every night? <\/i>(2015) de Vitalina Sousa, Catarina Botelho, Pedro Tropa e Teresa Santos \u2014 Hall da Zona de Congressos<\/p>\n<\/div>\n<\/div>\n","protected":false},"featured_media":0,"template":"","cat_joao_martins":[28],"cat_projectos":[],"acf":[],"_links":{"self":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cpt_joao_martins\/3233"}],"collection":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cpt_joao_martins"}],"about":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/types\/cpt_joao_martins"}],"wp:attachment":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/media?parent=3233"}],"wp:term":[{"taxonomy":"cat_joao_martins","embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cat_joao_martins?post=3233"},{"taxonomy":"cat_projectos","embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cat_projectos?post=3233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}