{"id":3197,"date":"2020-09-30T18:11:14","date_gmt":"2020-09-30T18:11:14","guid":{"rendered":"https:\/\/parasita.eu\/?post_type=cpt_joao_martins&p=3197"},"modified":"2026-04-10T11:39:44","modified_gmt":"2026-04-10T11:39:44","slug":"ama-como-a-estrada-comeca-2019-joao-pedro-vale-nuno-ferreira","status":"publish","type":"cpt_joao_martins","link":"https:\/\/parasita.eu\/en\/joao-dos-santos-martins\/ama-como-a-estrada-comeca-2019-joao-pedro-vale-nuno-ferreira\/","title":{"rendered":"Dance\/Performance\/Film"},"content":{"rendered":"

2025<\/strong><\/p>\n

Scrimmage<\/a>, <\/em>by Moriah Evans, Renaissance Society, Chicago<\/p>\n

\"\"<\/a><\/p>\n

Every Body Knows<\/a>, <\/em>by Moriah Evans, Performa Hub, Performa, NYC<\/p>\n

Common Dreams<\/a>, <\/em>by Ana Rita Teodoro, Culturgest, Lisboa<\/p>\n

\"Sonhos<\/a>

Foto: Jo\u00e3o Costa<\/p><\/div>\n

Harboring<\/em><\/a>, de Moriah Evans, Snug Harbor Dance Festival, Staten Island, NY<\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

BANKing<\/a>, de Moriah Evans, Musik Installationen, N\u00fcrnberg<\/p>\n

Second Best<\/a>, de Constan\u00e7a Entrudo, CAM Gulbenkian, Lisbon<\/p>\n

\"constanca<\/a>

Foto: Lu\u00eds Miguel Fonseca<\/p><\/div>\n

Performance a partir do projeto Grand Union<\/strong>,<\/a> com a participa\u00e7\u00e3o de Jo\u00e3o Fiadeiro, Rita Vilhena, Meg Stuart, Vera Mantero, M\u00e1rcia Lan\u00e7a, Elizabete Francisca, Mariana Tengner Barros, V\u00e2nia Rovisco e Jo\u00e3o dos Santos Martins, Espa\u00e7o da Penha, Lisbon<\/p>\n

2024<\/strong><\/p>\n

AQUI, AGORA, NESTE MOMENTO<\/em><\/a>, Vera Mantero, Elizabete Francisca, Mariana Tengner Barros e os convidados Lu\u00eds Guerra, Jo\u00e3o dos Santos Martins, David Marques, Rui Monteiro, Jo\u00e3o Bento e Carlota Lagido, CCB, Lisboa<\/p>\n

Temporary Title<\/em><\/a> 2015, Xavier Le Roy, CCB, Lisbon<\/p>\n

\"\"<\/a>

@ Rita Carmo<\/p><\/div>\n

2023<\/strong><\/p>\n

AQUI, AGORA, NESTE MOMENTO<\/em><\/a>, Vera Mantero, Elizabete Francisca, Mariana Tengner Barros e os convidados Lu\u00eds Guerra, Jo\u00e3o dos Santos Martins, Bruno Senune, Santiago Tricot, Jo\u00e3o Bento, Pedro Melo Alves e Carlota Lagido, Funda\u00e7\u00e3o de Serralves\/Serralves em Festa, Porto<\/p>\n

\"ESCOLHIDA<\/a>\u00a9 Ricardo Raminhos<\/p>\n

Saber recuar (para o Os\u00f3rio Mateus)<\/em><\/a>, com Ana Jotta, Maratona para o Gil, Culturgest, Lisboa<\/p>\n

\"paraogil<\/a><\/p>\n

Dan\u00e7as atr\u00e1s de uma flor,<\/em><\/a> com Ana Rita Teodoro, Filipe Pereira, Teresa Silva e T\u00e2nia Carvalho, Maratona para o Gil, Culturgest, Lisboa<\/p>\n

\"\"<\/a>

\u00a9 Joana Linda<\/p><\/div>\n

Remains Persist,<\/i><\/a> Moriah Evans, MOCA, Los Angeles<\/p>\n

Batucada<\/em><\/a>, Marcelo Evelin, Transborda\/Casa da Dan\u00e7a, Almada<\/p>\n

\"346091380<\/a>

\u00a9 Pedro Ivo Carvalho<\/p><\/div>\n

2022<\/b><\/p>\n

Um corpo que dan\u00e7a<\/em><\/a>, real. Marco Martins<\/p>\n

Remains Persist,<\/i><\/a> Moriah Evans, Performance Space 122, New York<\/p>\n

\"65318502a10071b1d9016e9e<\/a>

\u00a9 Maria Barnova<\/p><\/div>\n

<\/b>object petit <a>, <\/i><\/a>Dora Garcia, \u201cLanguage is Foreign\u201d, Rialto6, Lisboa<\/p>\n

\"DG<\/a>

\u00a9 Vasco Stocker de Vilhena<\/p><\/div>\n

<\/b>uma igreja sem igreja<\/a>,\u00a0<\/i>Boris Charmatz (terrain), Alameda\/Culturgest Inside Out, Lisboa\u00a0<\/span><\/p>\n

\"131<\/a>

\u00a9 Bruno Sim\u00e3o<\/p><\/div>\n

Our bodies ourselves,<\/i><\/a>\u00a0Moriah Evans, Public Art Fund, Brooklyn, NY<\/p>\n

Barricada,<\/i><\/a> Marcelo Evelin, Transborda\/Casa da Dan\u00e7a, Almada, Portugal<\/p>\n

\"472418301<\/a><\/p>\n

2021 <\/b><\/p>\n

Restos<\/a>,<\/i>\u00a0Moriah Evans, Espacio \u00d3deon\/Cuerpo etc.\/Goethe Institut, Bogota<\/p>\n

\"Ode\u00f3n5\"<\/a><\/p>\n

Collective Exhibition for a Single Body – The Private Score<\/a> (Lisbon, 2021),<\/i> cur. Pierre Bal-Blanc,\u00a0cor. Manuel Pelmus\u0327, Quadrum Gallery, Lisboa<\/p>\n

\"exposicao<\/a>

\u00a9 Alfredo Brant<\/p><\/div>\n

<\/b>The Show Must Go On<\/a>,<\/i>\u00a0J\u00e9r\u00f4me Bel, TMPorto (Porto), Culturgest (Lisboa)<\/p>\n

\"10<\/a>\u00a9 Jos\u00e9 Caldeira<\/p>\n

2020<\/b><\/p>\n

My body, this paper, this fire <\/a>(2020) Pedro Barateiro<\/p>\n

\"my<\/a><\/p>\n

2019<\/b><\/p>\n

Ama Como a Estrada Come\u00e7a<\/a> (2019) Jo\u00e3o Pedro Vale & Nuno Ferreira, Maat, Lisboa<\/p>\n

Lores & Praxis<\/a> [2018] Eszter Salamon, Museu de Serralves, Porto<\/p>\n

\"Bildschirmfoto<\/a><\/p>\n

Fofo<\/a> (2019) Ana Rita Teodoro, CND (Paris)\/Materiais Diversos (Cartaxo)<\/p>\n

\"DSC00951\u00a9Marc<\/a>\u00a9 Marc-Domage<\/p>\n

2018<\/b><\/p>\n

Configure<\/a> (2018) Moriah Evans<\/p>\n

\"csm<\/a> \u00a9 Paula Court<\/p>\n

Palco<\/a> [2017] Ana Rita Teodoro<\/p>\n

\"DIN0273<\/a><\/p>\n

Scripta<\/a> [2016] Francisco Tropa, CN D, Pantin, France<\/p>\n

G\u00e9ant<\/em><\/a>, Francisco Tropa, CN D, Pantin, France<\/p>\n

2017<\/b><\/p>\n

Self-Unfinished<\/a> [1998] Xavier le Roy, Biennale Danza, Venice<\/p>\n

2015<\/b><\/p>\n

Temporary Title<\/a> (2015) Xavier le Roy<\/p>\n

\"unnamed\"<\/a><\/p>\n

2014<\/b><\/p>\n

MONUMENT 0 : Haunted by wars (1913-2013)<\/a> (2014) Eszter Salamon<\/p>\n

\"150715<\/a><\/p>\n

Antol\u00f3gica<\/a> (2014) C\u00e3o Solteiro & Vasco Ara\u00fajo<\/p>\n

Tropa-Fandanga <\/a>(2014, choreography), Teatro Praga<\/p>\n

2013<\/b><\/p>\n

Eye Height <\/i><\/a> [2011] , <\/i>Beatriz Cantinho & Ricardo Jacinto, Museu de Serralves, Porto<\/p>\n

Trading Perceptions<\/i><\/a> by Richard Siegel, “Currencies and collectives”, Frankfurter Positionen, Frankfurt LAB<\/p>\n

 <\/p>\n

2012<\/b><\/p>\n

\u201cRetrospective\u201d by Xavier le Roy<\/a> (2012) Xavier Le Roy<\/p>\n

\"IMG<\/a><\/p>\n

Untitled<\/a> (2012) Xavier Le Roy<\/p>\n

\"+foto<\/a><\/p>\n

EN\/FR<\/a> (2012) Cyriaque Villemaux, Camille Durif-Bonis<\/p>\n

2011<\/b><\/p>\n

Egosistema<\/a> (2011) Andr\u00e9 e. Teod\u00f3sio<\/p>\n

2010<\/strong><\/p>\n

Os Mist\u00e9rios de Lisboa<\/a> (2010) Ra\u00fal Ruiz<\/p>\n

2009<\/b><\/p>\n

Talkshow<\/a> (2009) Rui Horta<\/p>\n

A Portugueza<\/a> (2009) C\u00e3o Solteiro & Vasco Ara\u00fajo<\/p>\n

Hero, Captain, Stranger<\/a> (2009) Jo\u00e3o Pedro Vale e Nuno Ferreira<\/p>\n

Ring<\/a> [1999], Felix Ruckert, Festival Escrita na Paisagem, \u00c9vora<\/p>\n

2008<\/b><\/p>\n

I Put a Spell on You<\/a> (2008) Ana Borralho & Jo\u00e3o Galante<\/p>\n

A Corte do Norte<\/a> (2008) Jo\u00e3o Botelho<\/p>\n","protected":false},"featured_media":0,"template":"","cat_joao_martins":[27],"cat_projectos":[],"acf":[],"_links":{"self":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cpt_joao_martins\/3197"}],"collection":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cpt_joao_martins"}],"about":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/types\/cpt_joao_martins"}],"wp:attachment":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/media?parent=3197"}],"wp:term":[{"taxonomy":"cat_joao_martins","embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cat_joao_martins?post=3197"},{"taxonomy":"cat_projectos","embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cat_projectos?post=3197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}