{"id":1061,"date":"2020-10-04T00:36:14","date_gmt":"2020-10-04T00:36:14","guid":{"rendered":"https:\/\/parasita.eu\/?post_type=cpt_joao_martins&#038;p=1061"},"modified":"2026-03-18T10:53:30","modified_gmt":"2026-03-18T10:53:30","slug":"textos","status":"publish","type":"cpt_joao_martins","link":"https:\/\/parasita.eu\/en\/joao-dos-santos-martins\/textos\/","title":{"rendered":"Writings"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Jo\u00e3o dos Santos Martins. <a href=\"https:\/\/mrpj.org\/articles\/on-collectivity-as-practice-and-form\" target=\"_blank\" rel=\"noopener\">on collectivity as practice and form<\/a>. <\/span>Issue #61 Movement Research Performance Journal (New York: 2025)<\/p>\n<p>Ana Rita Teodoro &amp; Jo\u00e3o dos Santos Martins. <a href=\"https:\/\/friendsinthearts.net\/FITA-Magazine-Vol-V\" target=\"_blank\" rel=\"noopener\">Cair em <em>Troca o Passo<\/em><\/a><em>, <\/em>FITA Magazine Vol. V, Floating Waters Osaka (Lisboa: 2025)<\/p>\n<p><span style=\"font-weight: 400;\">Ana Bigotte Vieira e Jo\u00e3o dos Santos Martins. <a href=\"https:\/\/loja.incm.pt\/products\/danca-nao-danca-arqueologias-da-nova-danca-em-portugal-1026170\" target=\"_blank\" rel=\"noopener\">&#8220;dan\u00e7a n\u00e3o dan\u00e7a<\/a>&#8220;, <em>dan\u00e7a n\u00e3o dan\u00e7a \u2014 arqueologias da nova dan\u00e7a em Portugal, <\/em>INCM\/FCG<\/span>\u00a0(Lisboa: 2025)<\/p>\n<p>Jo\u00e3o dos Santos Martins in conversation with Marlene Monteiro Freitas <a href=\"https:\/\/www.octopusnotes.fr\/issues\/no-11\/\" target=\"_blank\" rel=\"noopener\">\u201cHow are we going to shift the language so that we can build a new one together?\u201d<\/a><em>, Octopus Notes<\/em> 11 (Paris: 2024).<\/p>\n<p>Jo\u00e3o dos Santos Martins. <a href=\"https:\/\/www.orfeunegro.org\/products\/vera-mantero-materias-forcas-imaginario\" target=\"_blank\" rel=\"noopener\">Compor composto<\/a>, in Vera Mantero \u2014 Mat\u00e9rias. For\u00e7as. Imagin\u00e1rio, org. Ana Pais, Orpheu Negro (Lisboa: 2024)<\/p>\n<p>Jo\u00e3o dos Santos Martins. <a href=\"https:\/\/electramagazine.fundacaoedp.pt\/search?param=Registo\" target=\"_blank\" rel=\"noopener\">Os artistas chegaram ontem a Lisboa, vindos de Paris, num avi\u00e3o da TAP<\/a> em John Cage, <em>Onde \u00e9 Que Estamos a Comer? e O Que \u00e9 Que Estamos a comer?, <\/em>Douda Correria (Lisboa: 2023).<\/p>\n<p>Jo\u00e3o dos Santos Martins.\u00a0<a href=\"https:\/\/observador.pt\/opiniao\/valda-e-gus\/\" target=\"_blank\" rel=\"noopener\">Valda e Gus<\/a>. Observador, 02 set. 2023<\/p>\n<p>Ana Bigotte Vieira, Carlos Manuel Oliveira, Jo\u00e3o dos Santos Martins. <a href=\"http:\/\/Diagramming a Timeline of Dance\">Diagramming a Timeline of Dance<\/a>, Performance Research, 27:8, 81-88, 2023 DOI: 10.1080\/13528165.2022.2224208<\/p>\n<p>Jo\u00e3o dos Santos Martins.\u00a0<a href=\"https:\/\/www.teatromunicipaldoporto.pt\/pt\/cadernos-do-rivoli\/volume-10\/\" target=\"_blank\" rel=\"noopener\">Retrospetiva<\/a>. em Cadernos do Rivoli 10. (Porto: 2023)<\/p>\n<p>Jo\u00e3o dos Santos Martins. <a href=\"https:\/\/electramagazine.fundacaoedp.pt\/search?param=Registo\" target=\"_blank\" rel=\"noopener\">Os artistas chegaram ontem a Lisboa, vindos de Paris, num avi\u00e3o da TAP<\/a>. em Electra Edi\u00e7\u00e3o 16 \u2014 Identidade(s). (Lisboa: Primavera 2022).<\/p>\n<p>Jo\u00e3o dos Santos Martins. <a href=\"https:\/\/www.colectivo-84.com\/c\u00f3pia-2019-1\" target=\"_blank\" rel=\"noopener\">Escrever Dan\u00e7a<\/a>. <em>in<\/em> END Festival &#8211; Encontros de Novas Dramaturgias | 5\u00aa Edi\u00e7\u00e3o (Porto: 2021)<\/p>\n<p>Jo\u00e3o dos Santos Martins. <a href=\"https:\/\/parasita.eu\/wp-content\/uploads\/2020\/10\/intermezzo-publication_digital-copy-pa\u0301ginas-10-11.pdf\">dan\u00e7a dan\u00e7ada<\/a>. em Intermezzo. ed. Anna Sofie Lugmeier, Thomas Hitchcock. (Lisboa: 2020).<\/p>\n<p>Ana Bigotte Vieira, Carlos Manuel Oliveira, Jo\u00e3o dos Santos Martins. <a href=\"http:\/\/monographs.uc.pt\/iuc\/catalog\/view\/105\/263\/430-1?fbclid=IwAR01meu13DgjZ4i5mTFB5T0JV85FDoeEw9YAmRghAIuJaZu6mg8WJzXHu1M\" target=\"_blank\" rel=\"noopener\">GENEALOGIAS DA DAN\u00c7A ENQUANTO PR\u00c1TICA ART\u00cdSTICA EM PORTUGAL.<\/a> Pr\u00e1ticas de Arquivo em Artes Performativas. Coord. Cl\u00e1udia Madeira, Fernando Matos Oliveira, H\u00e9lia Mar\u00e7al. Imprensa da Universidade de Coimbra. (Coimbra: 2019).<\/p>\n<p>Jo\u00e3o dos Santos Martins. <a href=\"https:\/\/www.flanzine.com\/product\/flanzine-nr-20-corpo\/\" target=\"_blank\" rel=\"noopener\">quebra-costas\/m\u00f3i-almas<\/a>. em Flanzine nr. 20 \u2014 Corpo. Ed. Jo\u00e3o Pedro Azul. (Vila do Conde: 2019).<\/p>\n<p>Jo\u00e3o dos Santos Martins. <em>Zululu. (<\/em>Lisboa: Teatro Praga, 2016)<\/p>\n<p>Jo\u00e3o dos Santos Martins &amp; Min Kyoung Lee. <em>Le Sacre du Printemps. (<\/em>Lisboa: 2013)<\/p>\n<p>Cyriaque Villemaux &amp; Jo\u00e3o dos Santos Martins. <em>exhibitions&#8217; general catalogue. <\/em>Cupli (Geneva: 2013)<\/p>\n<p>Jo\u00e3o dos Santos Martins. <em>Sem t\u00edtulo<\/em>. in Swedish Dance History (Stockholm, 2010)<\/p>\n","protected":false},"featured_media":0,"template":"","cat_joao_martins":[32],"cat_projectos":[],"acf":[],"_links":{"self":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cpt_joao_martins\/1061"}],"collection":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cpt_joao_martins"}],"about":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/types\/cpt_joao_martins"}],"wp:attachment":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/media?parent=1061"}],"wp:term":[{"taxonomy":"cat_joao_martins","embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cat_joao_martins?post=1061"},{"taxonomy":"cat_projectos","embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cat_projectos?post=1061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}