{"id":843,"date":"2020-10-08T18:46:26","date_gmt":"2020-10-08T18:46:26","guid":{"rendered":"https:\/\/parasita.eu\/?post_type=cpt_carlos_oliveira&#038;p=843"},"modified":"2021-01-22T22:11:44","modified_gmt":"2021-01-22T22:11:44","slug":"2020","status":"publish","type":"cpt_carlos_oliveira","link":"https:\/\/parasita.eu\/en\/carlos-manuel-oliveira\/2020\/","title":{"rendered":"2020"},"content":{"rendered":"<p><a href=\"http:\/\/monographs.uc.pt\/iuc\/catalog\/view\/105\/263\/430-1?fbclid=IwAR0SrNQKTNCCy-uXa3FNoU1pIphR1989NGilBKkWdIEF7odwpZ-W3Xtif5M\" target=\"_blank\" rel=\"noopener\">GENEALOGIAS DA DAN\u00c7A ENQUANTO PR\u00c1TICA ART\u00cdSTICA EM PORTUGAL<\/a><br \/>\nEscrito em estreita colabora\u00e7\u00e3o com Ana Bigotte Vieira e Jo\u00e3o dos Santos Martins, este artigo d\u00e1 conta do projecto \u201cPara uma Timeline a Haver: Genealogias da dan\u00e7a enquanto pr\u00e1tica art\u00edstica em Portugal\u201d e dos seus desenvolvimentos at\u00e9 \u00e0 data, incluindo a investiga\u00e7\u00e3o historiogr\u00e1fica e respectiva metodologia, bem como as v\u00e1rias exposi\u00e7\u00f5es atrav\u00e9s das quais as genealogias em quest\u00e3o ganharam diferentes formatos. Faz parte no livro \u201cPr\u00e1ticas de arquivo nas artes performativas\u201d, editado por Fernando Matos Oliveira e publicado pela Edi\u00e7\u00f5es Universidade de Coimbra.<\/p>\n<p><a href=\"https:\/\/parasita.eu\/wp-content\/uploads\/2020\/08\/SdC_II.4_Site_Carlos-parasita.pdf\">CHOREOGRAPHIC TRANSDUCTIONS ACROSS MEDIA<\/a><br \/>\nAn article that looks upon the individuation of dance-related knowledge in the context of the project Double Skin\/Double Mind, in relation to the joint work of dancer and choreographer Emio Greco and dramaturgist Pieter Scholten. It does so by depicting some of the problems at stake in the making of a series of multimedia objects, designed for transmitting such knowledge with a structure analogous to the concepts that order the dancing itself. It was published in january 2020 on Sinais De Cena Ii.4 &#8211; Performing Arts And Theatre Studies Journal.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"featured_media":0,"template":"","cat_carlos_oliveira":[21],"acf":[],"_links":{"self":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cpt_carlos_oliveira\/843"}],"collection":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cpt_carlos_oliveira"}],"about":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/types\/cpt_carlos_oliveira"}],"wp:attachment":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/media?parent=843"}],"wp:term":[{"taxonomy":"cat_carlos_oliveira","embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cat_carlos_oliveira?post=843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}