{"id":2857,"date":"2022-02-23T00:19:15","date_gmt":"2022-02-23T00:19:15","guid":{"rendered":"https:\/\/parasita.eu\/?post_type=cpt_carlos_oliveira&#038;p=2857"},"modified":"2022-02-23T00:27:55","modified_gmt":"2022-02-23T00:27:55","slug":"2019-10","status":"publish","type":"cpt_carlos_oliveira","link":"https:\/\/parasita.eu\/en\/carlos-manuel-oliveira\/2019-10\/","title":{"rendered":"2019\/10"},"content":{"rendered":"<p>FOR A TIMELINE TO BE (5th Edition)<\/p>\n<p>For a Timeline To Be is a collective research on dance as an artistic practice in Portugal in the 20th and 21st centuries. The project proposes the unique construction of a series of chronologies, relating events of social, political, cultural and artistic matrix &#8211; suggested as significant by dancers, choreographers, specialists and spectators. After a three-month residency at the Dance Superior School in Lisbon, the project arrives at Centro Cultural do Cartaxo to make known this little documented part of our cultural heritage.<\/p>\n<p>The setup of FOR A TIMELINE TO BE in Cartaxo had the support of MULTIVICA &#8211; Design e Publicidade, lda.<\/p>\n","protected":false},"featured_media":0,"template":"","cat_carlos_oliveira":[74],"acf":[],"_links":{"self":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cpt_carlos_oliveira\/2857"}],"collection":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cpt_carlos_oliveira"}],"about":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/types\/cpt_carlos_oliveira"}],"wp:attachment":[{"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/media?parent=2857"}],"wp:term":[{"taxonomy":"cat_carlos_oliveira","embeddable":true,"href":"https:\/\/parasita.eu\/en\/wp-json\/wp\/v2\/cat_carlos_oliveira?post=2857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}